A couple of days ago I bought The Bear with the Sword by David Cali and as I read it and looked at the bear and his behaviour I was reminded of two other bear picture books I had bought this year, Bear Has a Story to Tell by Philip Stead and Erin Stead and Bear in Love by Daniel Pinkwater and Will Hillenbrand. How do illustrators make bears have such human expressions? Each bear is different but so imbued with human mannerisms. My favourite bear is the one in Sebastian Meschenmoser's Waiting For Winter. He makes me smile every time I look at him trying to work out what snow is. None of these bears appear to be 'wild' or 'grizzly'. None are bad-tempered or look as if they could do harm, and for someone who lives in a country without bears (except in zoos) it is so hard to remember that we should keep our distance from these animals. They do not look anything like teddybears either so they have become pseudohumans. They are easy to empathise with, so easy to see their point of view, and so easy to fall in love with and want to hug. Look at their eyes!

Here are some of my favourite bears and bear stories and this is without including any of Barbara Firth's for Martin Waddell, Kady MacDonald Denton's for Bonny Becker or Karma Wilson's.








, Calder a brilliant mathematician became a sculptor who combined all his loves to make amazingly balanced mobiles and installations. There's not a lot of books around about Calder that are suitable for very young children, but he is one of the sculptors in 13 Sculptures Children Should Know by Angela Wenzel. There is a work of fiction, Sandy's Circus by Tanya Lee Stone. If you have children who like mobiles and want to read about them, see Counting Chickens by 

